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Expulsion of Adam and Eve | John Faed | c. 1880

Expulsion of Adam and Eve | John Faed | c. 1880

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About the artwork:

Expulsion of Adam and Eve by John Faed is a late-19th-century religious painting executed in oil on fabric, created around 1880 by the Scottish artist John Faed (1819–1902). The work measures approximately 91.3 cm × 70.7 cm and is held in the Cleveland Museum of Art, though it is not currently on display. Faed’s composition interprets the biblical story of Adam and Eve’s banishment from Eden through the lens of John Milton’s Paradise Lost, with the archangel Michael shown directing the first humans out of paradise and a serpent figure appearing in the foreground, symbolizing Satan’s influence. Unlike more traditional depictions that emphasize Michael’s flaming sword, Faed gives the angel a compass-like instrument, a choice that reflects both creative interpretation and the era’s renewed interest in literary and religious themes in art. This painting exemplifies 19th-century British religious art and Faed’s skill in combining narrative clarity with academic technique.

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  • Title Expulsion of Adam and Eve
  • Artist John Faed (Scottish, 1820-1902; R.S.A.)
  • Year of creation c. 1880s (signed lower left: "JJF.aed" with JF in monogram; John Milton's epic poem Paradise Lost was the principal literary source — the archangel Michael directs Adam and Eve away from the lush gardens and heavenly radiance of Eden, while Satan in the form of a snake appears in the right foreground. Unusually, Faed shows Michael brandishing a compass — an instrument traditionally employed by God the Father in his act of creating the world — rather than the fiery sword prescribed in both Genesis and Paradise Lost. Faed's renewed interest in religious art led him to visit Palestine in 1857)
  • Technique/Medium Oil on fabric (canvas)
  • Original dimensions 91.3 x 70.7 cm
  • Collection/Museum The Cleveland Museum of Art, Cleveland, Ohio (Bequest of Noah L. Butkin, 1980; accession no. 1980.258)

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Customer Reviews

Overall rating: 4.7 / 5 from 1858 reviews.

Customer photo review of Witches' Flight | Francisco Goya | 1798

Hello - I am just back traveling to the westcoast and am extremely happy with the artwork! The quality of print/paper is excellent! So much so I temporarily clasped it over a Salvador Dali 'Welcome to America' signed lithograph I obtain through an auction in Australia (temporary until I get it formally framed). I plan to make another purchase in the coming days. Thank you for resolving my first experience as a first time customer. I look forward to my next purchase! Thank you so very much making my experience positive as I become a regular customer.

Witches' Flight | Francisco Goya | 1798

Customer photo review of Wanderer above the Sea of Fog | Caspar David Friedrich | 1818

There was a bit of a wait for the pictures but it was worth it. The production quality of the print was far higher than purchases I have made from other vendors. It's sturdier, clearer & the price was fair. The piece itself is in my basement. As you come down the steps it hangs on the opposite wall. Despite ordering a smaller print it commands the most attention in the room. I absolutely love this piece.

Wanderer above the Sea of Fog | Caspar David Friedrich | 1818

Customer photo review of Pandemonium | John Martin | 1841

This is the first painting I buy from your site and from any site at all in fact, and except a minor delivery issue - that only implied FedEx - everything went smoothly ! Your team responded quickly concerning this issue and that add up to the quality of service ! The reproduction is beautifully done, the contrast are good and the colors are vibrant. I am really happy with this product and will definitely crave for more !

Pandemonium | John Martin | 1841

Customer photo review of Daniel's Answer to the King | Briton Rivière | 1890

I have the other Daniel painting also, the one where he is entering the lion's den. My daughter liked it so much, that I lent it to her, not sure I'd ever get it back so ordered this one. Keep it in the blue bedroom we use for visitors, always sparks a conversion. Just love it !

Daniel's Answer to the King | Briton Rivière | 1890

Customer photo review of Pandemonium | John Martin | 1841

Well. This Image is more jpeg like than i would prefer. I never seen the original in the louvre, but I think it could be better. Especially for 300 euros.

Pandemonium | John Martin | 1841

Customer photo review of Three Black Cats | Carl Kahler | c. 1891

I simply love the portrait of the three black cats! - flawless print, elegant frame and quick shipping with sufficient packaging. I will be coming back for more! Thank you! <3

Three Black Cats | Carl Kahler | c. 1891

Customer photo review of School of Athens | Raphael | 1510

Excellent quality! Very impressed! Hangs next to my desk as I work. Inspiring! Saw the original at the Vatican Museum. I will be buying more.

School of Athens | Raphael | 1510

Customer photo review of Untitled | Mark Rothko | 1952

大きくて存在感があるのに軽いので安心して壁にかけられました!気に入っています。

Untitled | Mark Rothko | 1952

Customer photo review of Ecce Homo | Antonio Ciseri | 1871

Beautiful print on canvas. Thinking of buying a bigger one for my house as my daughter would love this for her house.

Ecce Homo | Antonio Ciseri | 1871

Customer photo review of The Ambassadors | Hans Holbein the Younger | 1533

Okay, let me start by saying this is my favorite painting of all time. I love skulls. I am beyond thrilled to own this piece and show it off to all who enter! I cannot believe this was painted in 1533.. It stirs me. 10/10 piece. Easy. I am attaching two photos of the upper left corner where the crucifix lies hidden in plain sight. I am disappointed that the wrap of the canvas wasn't very tight on this one. Because of the loose wrapping.. you can clearly see that the crucifix is mirrored from the printing job and it kind of ruins that corner of the piece because it is a detail you aren't suppose to notice right away. Unfortunately it sticks out in plain view. I plan to take black paint and just tape off the edge and fill the outer edge so the crucifix has a proper corner to inhabit. Although, I am hesitant to try and alter something so expensive.. Not sure what to do.

The Ambassadors | Hans Holbein the Younger | 1533

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