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Genoese Towers in the Black Sea | Ivan Aivazovsky | 1895

Genoese Towers in the Black Sea | Ivan Aivazovsky | 1895

ā‚¬32,95
ā‚¬32,95
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About the artwork:

Ivan Aivazovsky, a master of Romantic seascapes, is renowned for his breathtaking depictions of the sea's dynamic and emotive power. Born in 1817 in Feodosia, Crimea, his works often explore the interplay of light and water, capturing the sublime and transient nature of maritime landscapes. Aivazovsky's technical mastery is evident in his ability to render intricate details of waves, storms, and shipwrecks, while his use of dramatic contrasts between light and shadow evokes an ethereal, almost otherworldly quality. Paintings like "The Ninth Wave" embody the Romantic ideals of human vulnerability against the immense forces of nature, while simultaneously offering glimmers of hope and resilience. His prolific career produced over 6,000 works, solidifying his reputation as one of the greatest marine painters in art history, whose influence resonates in both European and Russian art traditions.

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  • Title Genoese Towers in the Black Sea
  • Artist Ivan Aivazovsky (Hovhannes Aivazian; Armenian-Russian, 1817-1900)
  • Year of creation 1895 (a period when Aivazovsky dedicated most of his time to his beloved Crimean home of Feodosia; the painting depicts a section of the 14th-century fortress constructed by the Genoese Republic along the shoreline of Feodosia ā€” the remnants of a pre-existing maritime power, the ruins of the Genoese towers presenting an imposing strength against the greatest force on earth, that of nature. Soon after its execution, the painting was included in 120ia vystavka kartin I. K. Aivazovskago [The 120th exhibition of I. K. Aivazovsky's paintings], 29 December 1895 - 31 December 1896 at the Imperial Society for the Encouragement of the Arts in St Petersburg ā€” described in the catalogue as the largest collection of works gathered for any show dedicated to the artist to that date. Included in Nikolai Barsamov's important 1962 monograph on the artist)
  • Technique/Medium Oil on canvas
  • Original dimensions 94 x 149.2 cm
  • Collection/Museum Private collection (sold at Christie's London, 29 November 2021, for approximately ā‚¬1 million; had been in the same private collection for over forty years)

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