Girl with Candle (1896) by Elbridge Ayer Burbank is a small, evocative oil portrait that uses the stark contrast of light and shadow to draw the viewer into an intimate moment: a young Black girl, her braided hair and wide, expressive eyes illuminated by the warm, flickering glow of a single candle against a dark background. Signed and dated “E.A. Burbank 96,” the work highlights Burbank’s sensitive observation of character and mood, using the candle’s limited light not just as a physical source but as a means to emphasize the subject’s presence, vulnerability, and quiet dignity within the surrounding darkness—a technique that demonstrates his command of chiaroscuro and his interest in capturing both the physical and psychological depth of his sitters.

- Title Girl with a Candle
- Artist Elbridge Ayer Burbank (American, Harvard, Illinois, 10 April 1858 - San Francisco, 21 March 1949; graduate of the Chicago Academy of Design, 1874; the only artist to paint the Chiricahua Apache war chief Geronimo from life; over the course of his career he produced more than 1,200 portraits of Native Americans from 125 tribes)
- Year of creation 1896 (signed and dated; a genre work predating Burbank's defining 1897 commission from his uncle Edward E. Ayer, the first president of the Field Columbian Museum, to paint Native American chiefs. In 1896 Burbank had recently returned from his Munich studies — where he had counted Joseph Henry Sharp, William R. Leigh, and Toby Rosenthal among his colleagues, 1887 and 1889-91 — and from a brief portrait studio in London, and was based in Chicago, where he had opened his studio and held his first exhibition in 1892. The painting belongs to his pre-Indian-portrait phase of figural and genre subjects)
- Technique/Medium Oil on canvas
- Original dimensions Not publicly documented in standard sources
- Collection/Museum Not publicly documented in major institutional records; likely in a private collection (Burbank's known holdings are concentrated at the Newberry Library, Chicago [25 oil paintings, mostly Native American portraits from his uncle Edward E. Ayer's 1897+ commission], the Smithsonian, the Field Museum, and the Butler Institute of American Art — predominantly Native American portraits, with this earlier 1896 genre work falling outside the major documented groupings)
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