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Grief | Oskar Zwintscher | 1898

Grief | Oskar Zwintscher | 1898

€50,95
€50,95
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About the artwork:

Grief (1898) by Oskar Zwintscher captures the haunting stillness of sorrow in a deeply psychological way. The painting shows a pale woman seated against a stark, undefined background, her body frozen in anguish and her gaze distant, almost detached from the world around her. Zwintscher, known for blending Symbolism with fin-de-siècle melancholy, portrays grief not through tears or dramatic gestures, but through emptiness and silence. The woman’s lifeless expression and rigid posture suggest that pain has consumed her entirely, leaving behind only the shell of her former self. The subdued palette, dominated by cold tones and muted light, reinforces the suffocating atmosphere of emotional paralysis. Through this quiet, restrained depiction, Zwintscher reveals that grief is not always loud—it can be still, isolating, and devastatingly eternal.

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  • Title Grief (Gram)
  • Artist Oskar Zwintscher (German, Leipzig 2 May 1870 - Dresden 12 February 1916; associated with the Jugendstil movement; studied at the Hochschule für Grafik und Buchkunst Leipzig 1887-90 and under Leon Pohle and Ferdinand Pauwels at the Dresden Academy of Fine Arts 1890-92; worked in Meißen as a freelance painter and later professor at the Dresden Academy; a friend of Rainer Maria Rilke, at whose invitation he spent time at the Worpswede artists' colony in 1902; held a one-man show at the Venice Biennale in 1910)
  • Year of creation 1898 (a major early Symbolist work and one of Zwintscher's first large public statements — that same year he presented his first large collection of paintings to the public, was a prizewinner at a contest held by the entrepreneur Ludwig Stollwerck to select artists for a new line of trading cards [his series "Jahreszeiten" / The Seasons followed later that year], and exhibited at the Dresden International Art Exhibition. X-radiograph examination at the SKD has revealed that the canvas was originally in landscape format and then enlarged by Zwintscher by adding to the upper edge of the picture — the X-ray shows a first, smaller representation of the personification of death with a lower hump and narrower hands, and the boulder was also enlarged along with the format. The composition depicts two figures lying prone on a stone slab or altar: a pale, seemingly lifeless female figure on the left and a male figure beside her clutching her hand in anguish, while a dark monolithic skeletal presence — the personification of grief and death — looms above them)
  • Technique/Medium Oil on canvas
  • Original dimensions 150.5 x 150.2 cm
  • Collection/Museum Städtische Galerie Dresden (Museen der Stadt Dresden); previously studied by SKD/Albertinum as part of the 2022-23 monographic exhibition "Weltflucht und Moderne: Oskar Zwintscher in der Kunst um 1900"

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