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Horyu-ji, Nara | Tsuchiya Koitsu | 1870 - 1949

Horyu-ji, Nara | Tsuchiya Koitsu | 1870 - 1949

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About the artwork:

Tsuchiya Koitsu, born in Hamamatsu, Japan in 1870, was a celebrated artist known for his beautiful woodblock prints showing Japan's landscapes and city scenes. He learned from famous artists like Kobayashi Kiyochika, who taught him how to make woodblock prints. Koitsu's prints were loved for their bright colors and careful details, especially his nighttime scenes. These scenes, with their peaceful streets and glowing temples, became very popular. Working with publisher Doi Sadaichi, Koitsu made prints that people around the world admired. He won awards for his art and became famous for his skill in showing light and shadow. Today, Tsuchiya Koitsu's prints are treasured by art lovers everywhere for their beauty and unique style.

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  • Title Horyu-ji, Nara (Nara Hōryūji / 奈良法隆寺); also documented as Rain at Horyuji Temple, Nara
  • Artist Tsuchiya Koitsu (土屋光逸; born Tsuchiya Koichi, Japanese; Hamamatsu, Shizuoka, 23 September 1870 - Chigasaki, Kanagawa, 13 November 1949; apprenticed to ukiyo-e master Kobayashi Kiyochika for 19 years; one of the leading landscape print designers of the Shin Hanga movement)
  • Year of creation 1938 (also recorded as 1934 in some sources; published by Doi Hangaten. Many examples are posthumous printings from the original blocks — Doi Eiichi re-established the Doi Hangaten business in 1948, and according to Ross Walker and Toshikazu Doi, most small-format Koitsu prints by Doi were likely printed after that date. A peaceful view of the spire of Hōryū-ji's pagoda on a rainy day, with a large pine tree framing the scene on the right and two women walking along the pathway toward the gate under colorful umbrellas — the red and white stripes of a kimono in the foreground forming a visual link to the red lines of the pagoda. Hōryū-ji in Nara, founded by Emperor Yōmei, houses the world's oldest surviving wooden structures, dating from Japan's Asuka Period [mid-6th to early 8th century])
  • Technique/Medium Woodblock print (Shin Hanga); ink and color on paper, with seals of carver Harada and printer Yokoi
  • Original dimensions 42 x 28.7 cm (standard oban; some sources record similar dimensions of approximately 39 x 26 cm)
  • Collection/Museum Multiple collections including various private holdings; the Christenson Collection of Miniature Japanese Woodblock Prints holds a miniature postcard-size version (5.9 x 8.9 cm); standard impressions distributed worldwide through galleries and private hands

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Bright & intensive color spectrum. Best choice if you plan to frame it by yourself/local craft shop.

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