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Icarus I | Henri Matisse | 1947

Icarus I | Henri Matisse | 1947

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About the artwork:

"Icarus I" by Henri Matisse, painted in 1944, is a captivating exploration of the myth of Icarus, the figure from Greek mythology who famously flew too close to the sun. In this painting, Matisse presents a dynamic composition featuring bold colors and abstract forms that convey a sense of movement and energy. The central figure of Icarus is depicted with sweeping lines and vibrant hues, suggesting his flight through the sky. Matisse's use of color and form creates a striking visual impact, capturing the drama and excitement of the mythological narrative. Through "Icarus II," Matisse invites viewers to contemplate themes of ambition, risk-taking, and the consequences of hubris, while showcasing his innovative approach to composition and expression.

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  • Title Icarus (Icare), plate VIII from JazzvidIQOpus 4.7 Adaptativo
  • Artist Henri Matisse (French Fauvist and Modernist; Le Cateau-CambrĆ©sis, 31 December 1869 - Nice, 3 November 1954)
  • Year of creation 1947 (the Jazz portfolio was published by TĆ©riade in Paris in 1947, though the source cut-outs were created between 1943 and 1946 while Matisse was convalescing at Vence after intestinal cancer surgery. The publisher Stratis Eleftheriades [TĆ©riade] had commissioned Matisse in 1942 to make a book of color images, initially conceived as a book on the circus to be titled Le Cirque. Matisse later incorporated subjects from mythology and travel, and in 1944 decided to add accompanying handwritten texts that serve as "breathing spaces between the vibrantly coloured images." Icarus, plate VIII, is the most iconic image of the suite — a black silhouette of a falling figure with a tiny bright red heart, on a brilliant blue background scattered with yellow sunbursts. According to notes by Matisse's secretary and nurse Lydia Delectorskaya, Matisse described the work as referring to Icarus who "with a passionate heart falls out of the starry sky" — possibly in relation to Matisse's concerns for his wife, daughter and son, who were involved with the French Resistance. The image also references the trapeze act in which a seated performer catches their partner with their legs. Matisse later considered the cut-out technique the resolution of his life-long tension between form and color: "It is not a beginning, it is an endpoint")
  • Technique/Medium Pochoir (stencil) in gouache colors on paper, with accompanying photolithograph text; printed by Edmond Vairel, text printed by Draeger FrĆØres, published by TĆ©riade, Paris (Ɖditions Verve). The pochoirs reproduce Matisse's original 1943-46 paper cut-out maquettes — what the artist called "drawing with scissors"
  • Original dimensions Composition approximately 41 x 27 cm; full unfolded sheet 42.2 x 65.3 cm; folded page 42.2 x 32.8 cm
  • Collection/Museum Multiple impressions held in major museum collections worldwide as Jazz was published in an edition of 250, plus a portfolio edition of 100 and 20 hors commerce copies (notable holdings include the Centre Pompidou, Paris [the original 1943 gouache-on-paper cut-out maquette]; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York [Gift of Lila Acheson Wallace, 1983; 1983.1009(8)]; the Art Institute of Chicago; the National Galleries of Scotland; the Norton Simon Museum; and the Fine Arts Museums of San Francisco)

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Black floating frame is a popular add-on to any canvas during the purchase. The frame is build using our proprietary profile radial pine, and coated with black graphite that gives it a gallery quality, luxurious matte finish.

Customer Reviews

Overall rating: 4.7 / 5 from 1827 reviews.

Customer photo review of Daniel's Answer to the King | Briton RiviĆØre | 1890

I have the other Daniel painting also, the one where he is entering the lion's den. My daughter liked it so much, that I lent it to her, not sure I'd ever get it back so ordered this one. Keep it in the blue bedroom we use for visitors, always sparks a conversion. Just love it !

Daniel's Answer to the King | Briton RiviĆØre | 1890

Customer photo review of Three Black Cats | Carl Kahler | c. 1891

I simply love the portrait of the three black cats! - flawless print, elegant frame and quick shipping with sufficient packaging. I will be coming back for more! Thank you! <3

Three Black Cats | Carl Kahler | c. 1891

Customer photo review of School of Athens | Raphael | 1510

Excellent quality! Very impressed! Hangs next to my desk as I work. Inspiring! Saw the original at the Vatican Museum. I will be buying more.

School of Athens | Raphael | 1510

Customer photo review of Untitled | Mark Rothko | 1952

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Untitled | Mark Rothko | 1952

Customer photo review of Ecce Homo | Antonio Ciseri | 1871

Beautiful print on canvas. Thinking of buying a bigger one for my house as my daughter would love this for her house.

Ecce Homo | Antonio Ciseri | 1871

Customer photo review of The Ambassadors | Hans Holbein the Younger | 1533

Okay, let me start by saying this is my favorite painting of all time. I love skulls. I am beyond thrilled to own this piece and show it off to all who enter! I cannot believe this was painted in 1533.. It stirs me. 10/10 piece. Easy. I am attaching two photos of the upper left corner where the crucifix lies hidden in plain sight. I am disappointed that the wrap of the canvas wasn't very tight on this one. Because of the loose wrapping.. you can clearly see that the crucifix is mirrored from the printing job and it kind of ruins that corner of the piece because it is a detail you aren't suppose to notice right away. Unfortunately it sticks out in plain view. I plan to take black paint and just tape off the edge and fill the outer edge so the crucifix has a proper corner to inhabit. Although, I am hesitant to try and alter something so expensive.. Not sure what to do.

The Ambassadors | Hans Holbein the Younger | 1533

Customer photo review of The Last Day of Pompeii | Karl Bryullov | 1830

Solid as usual. Solid as always. The Last Days of Pompeii is dramatic and moody; just what I wanted. Print quality is sharp, colors are faithful. The artwork is theatrical, and work well on canvas. I'm a history nut and have had a fascination with Pompeii since my teens, so this one had to join my collection. Happy with it.

The Last Day of Pompeii | Karl Bryullov | 1830

Customer photo review of Among the Waves | Ivan Aivazovsky | 1898

Absolutely beautiful piece of art, printed well and in a very nice frame that was packaged and delivered with no damage or issues with the contents.

Among the Waves | Ivan Aivazovsky | 1898

Customer photo review of The Beheading of St John the Baptist | Caravaggio | 1608

We made our first purchase from Inspiraggio, The Beheading of St John the Baptist | Caravaggio | 1608. We absolutely love it. The quality and framing are amazing. It changes the whole room. Thanks!!!

The Beheading of St John the Baptist | Caravaggio | 1608

Customer photo review of Death on the Pale Horse | Gustave DorƩ | 1865

I ordered two paintings from Inspiraggio, and both are of incredible quality and remarkably faithful to the originals. The canvas and frame both feel sturdy, and the level of detail is truly impressive. I’m delighted with my purchases and would definitely order from them again in the future

Death on the Pale Horse | Gustave DorƩ | 1865

Customer photo review of Chaos | Ivan Aivazovsky | 1841

Very pretty. I knew I had to have 'Vanity' when I saw it. 'The Great Red Dragon...' is... great as well. Both quality prints, really like how they look in my apartment.

Chaos | Ivan Aivazovsky | 1841

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