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Icebergs | Frederic Edwin Church | 1861

Icebergs | Frederic Edwin Church | 1861

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About the artwork:

"Icebergs" by Frederic Edwin Church, painted in 1861, is a stunning portrayal of the majestic and awe-inspiring ice formations of the Arctic. Church's meticulous attention to detail brings these frozen giants to life, with towering icebergs rising dramatically from the frigid waters. The play of light and shadow on the icy surfaces creates a mesmerizing array of colors, from brilliant whites to deep blues and greens. The vastness of the Arctic landscape is palpable, with the icebergs stretching out into the distance against a backdrop of open sea and sky. "Icebergs" invites viewers to immerse themselves in the serene yet formidable beauty of this untouched wilderness, capturing a moment of timeless grandeur in the heart of the Arctic seas.

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  • Title The Icebergs (originally exhibited as The North)
  • Artist Frederic Edwin Church (American Hudson River School landscape painter; Hartford, Connecticut, 4 May 1826 - New York, 7 April 1900; pupil of Thomas Cole)
  • Year of creation 1861 (one of Church's "Great Pictures," developed from his 1859 schooner voyage to the North Atlantic around Newfoundland and Labrador with the Reverend Louis Legrand Noble, who chronicled the trip in his 1861 book After Icebergs with a Painter. Church based the studio painting on nearly one hundred pencil and oil sketches. The work was first exhibited in New York City in late April 1861, twelve days after the outbreak of the American Civil War, under the title The North; visitors paid 25 cents' admittance to the one-painting show. Despite favorable reviews, the painting failed to sell at home, so Church added the broken ship's mast in the foreground — interpreted as a memorial to the lost 1845 Franklin Expedition that had attempted the Northwest Passage — retitled it The Icebergs and shipped it to London, where it was acquired by the British railway magnate Sir Edward William Watkin and installed at his country house, Rose Hill, near Manchester. It then disappeared from view for 116 years, before reappearing at Sotheby's New York in 1979, where it was auctioned for $2.5 million — at that time the highest sum ever paid for an American painting. The buyers, businessman Lamar Hunt and his wife Norma, donated it to the Dallas Museum of Art. The composition pairs Church's careful on-site Arctic observations with his imagination: seductively inviting colors, a glowing subterranean light, and glossy tactile ice surfaces draw the viewer's eye toward what is in fact an inhospitable place of mortal danger, the wreckage of the foreground mast hinting at the human cost of Arctic exploration)
  • Technique/Medium Oil on canvas
  • Original dimensions 163.8 x 285.7 cm (64 ½ x 112 ½ inches)
  • Collection/Museum Dallas Museum of Art, Dallas, Texas (gift of Norma and Lamar Hunt, 1979; on display in the American Art Galleries, 19th Century)

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Customer Reviews

Overall rating: 4.7 / 5 from 1845 reviews.

Customer photo review of Wanderer above the Sea of Fog | Caspar David Friedrich | 1818

There was a bit of a wait for the pictures but it was worth it. The production quality of the print was far higher than purchases I have made from other vendors. It's sturdier, clearer & the price was fair. The piece itself is in my basement. As you come down the steps it hangs on the opposite wall. Despite ordering a smaller print it commands the most attention in the room. I absolutely love this piece.

Wanderer above the Sea of Fog | Caspar David Friedrich | 1818

Customer photo review of Pandemonium | John Martin | 1841

This is the first painting I buy from your site and from any site at all in fact, and except a minor delivery issue - that only implied FedEx - everything went smoothly ! Your team responded quickly concerning this issue and that add up to the quality of service ! The reproduction is beautifully done, the contrast are good and the colors are vibrant. I am really happy with this product and will definitely crave for more !

Pandemonium | John Martin | 1841

Customer photo review of Daniel's Answer to the King | Briton Rivière | 1890

I have the other Daniel painting also, the one where he is entering the lion's den. My daughter liked it so much, that I lent it to her, not sure I'd ever get it back so ordered this one. Keep it in the blue bedroom we use for visitors, always sparks a conversion. Just love it !

Daniel's Answer to the King | Briton Rivière | 1890

Customer photo review of Pandemonium | John Martin | 1841

Well. This Image is more jpeg like than i would prefer. I never seen the original in the louvre, but I think it could be better. Especially for 300 euros.

Pandemonium | John Martin | 1841

Customer photo review of Three Black Cats | Carl Kahler | c. 1891

I simply love the portrait of the three black cats! - flawless print, elegant frame and quick shipping with sufficient packaging. I will be coming back for more! Thank you! <3

Three Black Cats | Carl Kahler | c. 1891

Customer photo review of School of Athens | Raphael | 1510

Excellent quality! Very impressed! Hangs next to my desk as I work. Inspiring! Saw the original at the Vatican Museum. I will be buying more.

School of Athens | Raphael | 1510

Customer photo review of Untitled | Mark Rothko | 1952

大きくて存在感があるのに軽いので安心して壁にかけられました!気に入っています。

Untitled | Mark Rothko | 1952

Customer photo review of Ecce Homo | Antonio Ciseri | 1871

Beautiful print on canvas. Thinking of buying a bigger one for my house as my daughter would love this for her house.

Ecce Homo | Antonio Ciseri | 1871

Customer photo review of The Ambassadors | Hans Holbein the Younger | 1533

Okay, let me start by saying this is my favorite painting of all time. I love skulls. I am beyond thrilled to own this piece and show it off to all who enter! I cannot believe this was painted in 1533.. It stirs me. 10/10 piece. Easy. I am attaching two photos of the upper left corner where the crucifix lies hidden in plain sight. I am disappointed that the wrap of the canvas wasn't very tight on this one. Because of the loose wrapping.. you can clearly see that the crucifix is mirrored from the printing job and it kind of ruins that corner of the piece because it is a detail you aren't suppose to notice right away. Unfortunately it sticks out in plain view. I plan to take black paint and just tape off the edge and fill the outer edge so the crucifix has a proper corner to inhabit. Although, I am hesitant to try and alter something so expensive.. Not sure what to do.

The Ambassadors | Hans Holbein the Younger | 1533

Customer photo review of The Last Day of Pompeii | Karl Bryullov | 1830

Solid as usual. Solid as always. The Last Days of Pompeii is dramatic and moody; just what I wanted. Print quality is sharp, colors are faithful. The artwork is theatrical, and work well on canvas. I'm a history nut and have had a fascination with Pompeii since my teens, so this one had to join my collection. Happy with it.

The Last Day of Pompeii | Karl Bryullov | 1830

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