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Ides of March | Sir Edward John Poynter | 1883

Ides of March | Sir Edward John Poynter | 1883

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About the artwork:

"Ides of March" by Sir Edward John Poynter, completed in 1883, is a dramatic and historically inspired painting that captures a pivotal moment in Roman history. The scene depicts Julius Caesar, the famed Roman dictator, seated on a throne, surrounded by a group of senators. Caesar, dressed in regal attire, appears contemplative and unaware of the impending betrayal. The senators, with expressions ranging from apprehension to determination, are plotting the assassination that would occur on the infamous Ides of March. Poynter's masterful use of light and shadow heightens the tension and drama of the scene, with the flickering torches casting an eerie glow on the faces of the conspirators. The painting's meticulous attention to historical detail, from the Roman attire to the architectural elements, lends an air of authenticity to the momentous event. "Ides of March" serves as a poignant reminder of the fragility of power and the treacherous nature of politics, capturing the fateful decision that would change the course of Roman history.

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  • Title The Ides of March
  • Artist Sir Edward John Poynter, 1st Baronet (British academic and history painter; Paris [of English parents], 20 March 1836 - London, 26 July 1919; President of the Royal Academy 1896-1918; Director of the National Gallery, London 1894-1904)
  • Year of creation 1883 (a Victorian classical-subject history painting illustrating Act II, scene 2 of Shakespeare's Julius Caesar, in which Calpurnia implores Caesar not to go to the Senate House where he will be murdered. The persistent warnings of the augurs about the fatefulness of the Ides of March had rendered Caesar's wife Calpurnia highly nervous for his safety; she is seen at the palace entrance pointing to, and excitedly discussing with Caesar, the dreaded significance of the mysterious comet that was said to have flashed brightly in the heavens previous to his death. The view is from inside an elaborate Roman home with a highly polished marble floor and marble columns; the two principal figures stand in the centre with their backs to the viewer, Caesar on the right looking across at his wife — his face in shadow, hers lit — while she gestures with her right hand toward the comet whose trail crosses through a section of clear sky against surrounding heavy clouds. Just to the left of the comet's trail rises the silhouette of a statue of a soldier with shield and spear atop a pediment. Julius Caesar was assassinated on 15 March 44 BC)
  • Technique/Medium Oil on canvas
  • Original dimensions 153 x 112.6 cm
  • Collection/Museum Manchester Art Gallery, Manchester, UK (accession not specified in public sources)

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Customer Reviews

Overall rating: 4.7 / 5 from 1845 reviews.

Customer photo review of Wanderer above the Sea of Fog | Caspar David Friedrich | 1818

There was a bit of a wait for the pictures but it was worth it. The production quality of the print was far higher than purchases I have made from other vendors. It's sturdier, clearer & the price was fair. The piece itself is in my basement. As you come down the steps it hangs on the opposite wall. Despite ordering a smaller print it commands the most attention in the room. I absolutely love this piece.

Wanderer above the Sea of Fog | Caspar David Friedrich | 1818

Customer photo review of Pandemonium | John Martin | 1841

This is the first painting I buy from your site and from any site at all in fact, and except a minor delivery issue - that only implied FedEx - everything went smoothly ! Your team responded quickly concerning this issue and that add up to the quality of service ! The reproduction is beautifully done, the contrast are good and the colors are vibrant. I am really happy with this product and will definitely crave for more !

Pandemonium | John Martin | 1841

Customer photo review of Daniel's Answer to the King | Briton Rivière | 1890

I have the other Daniel painting also, the one where he is entering the lion's den. My daughter liked it so much, that I lent it to her, not sure I'd ever get it back so ordered this one. Keep it in the blue bedroom we use for visitors, always sparks a conversion. Just love it !

Daniel's Answer to the King | Briton Rivière | 1890

Customer photo review of Pandemonium | John Martin | 1841

Well. This Image is more jpeg like than i would prefer. I never seen the original in the louvre, but I think it could be better. Especially for 300 euros.

Pandemonium | John Martin | 1841

Customer photo review of Three Black Cats | Carl Kahler | c. 1891

I simply love the portrait of the three black cats! - flawless print, elegant frame and quick shipping with sufficient packaging. I will be coming back for more! Thank you! <3

Three Black Cats | Carl Kahler | c. 1891

Customer photo review of School of Athens | Raphael | 1510

Excellent quality! Very impressed! Hangs next to my desk as I work. Inspiring! Saw the original at the Vatican Museum. I will be buying more.

School of Athens | Raphael | 1510

Customer photo review of Untitled | Mark Rothko | 1952

大きくて存在感があるのに軽いので安心して壁にかけられました!気に入っています。

Untitled | Mark Rothko | 1952

Customer photo review of Ecce Homo | Antonio Ciseri | 1871

Beautiful print on canvas. Thinking of buying a bigger one for my house as my daughter would love this for her house.

Ecce Homo | Antonio Ciseri | 1871

Customer photo review of The Ambassadors | Hans Holbein the Younger | 1533

Okay, let me start by saying this is my favorite painting of all time. I love skulls. I am beyond thrilled to own this piece and show it off to all who enter! I cannot believe this was painted in 1533.. It stirs me. 10/10 piece. Easy. I am attaching two photos of the upper left corner where the crucifix lies hidden in plain sight. I am disappointed that the wrap of the canvas wasn't very tight on this one. Because of the loose wrapping.. you can clearly see that the crucifix is mirrored from the printing job and it kind of ruins that corner of the piece because it is a detail you aren't suppose to notice right away. Unfortunately it sticks out in plain view. I plan to take black paint and just tape off the edge and fill the outer edge so the crucifix has a proper corner to inhabit. Although, I am hesitant to try and alter something so expensive.. Not sure what to do.

The Ambassadors | Hans Holbein the Younger | 1533

Customer photo review of The Last Day of Pompeii | Karl Bryullov | 1830

Solid as usual. Solid as always. The Last Days of Pompeii is dramatic and moody; just what I wanted. Print quality is sharp, colors are faithful. The artwork is theatrical, and work well on canvas. I'm a history nut and have had a fascination with Pompeii since my teens, so this one had to join my collection. Happy with it.

The Last Day of Pompeii | Karl Bryullov | 1830

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