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Impression, Sunrise | Claude Monet | 1872

Impression, Sunrise | Claude Monet | 1872

ā‚¬32,95
ā‚¬32,95
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About the artwork:

"Impression, Sunrise" by Claude Monet, painted in 1872, is a seminal work that gave the Impressionist movement its name. This painting depicts the port of Le Havre, Monet's hometown, at sunrise, capturing the ephemeral play of light and color on the water with loose, expressive brushstrokes. The muted palette of blues, grays, and oranges conveys the coolness of the early morning, while the sun, depicted as a blur of red, reflects off the water, creating a mesmerizing effect. Monet's focus on the atmospheric conditions and his ability to capture the essence of the moment rather than the details of the landscape marked a significant departure from traditional landscape painting. "Impression, Sunrise" is celebrated for its innovative technique and its ability to evoke a mood and a moment, encapsulating the core principles of the Impressionist movement.

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  • Title Impression, Sunrise (Impression, soleil levant)
  • Artist Claude Monet (Oscar-Claude Monet, French Impressionist; Paris, 14 November 1840 - Giverny, 5 December 1926)
  • Year of creation 1872 (signed lower left "Claude Monet" and later dated "72" by the artist. A stay at the HĆ“tel de l'AmirautĆ© in Le Havre around November 1872 provided Monet with the subject of his most famous painting; from the window of his room the artist quickly painted a view to the southeast of the outer harbour seen in the early morning hours, with the rising orange sun and its reflection on the water and the silhouettes of ships, masts, smokestacks and cranes in the misty industrial port. Recent solar and tidal calculations by astrophysicist Donald Olson have placed the scene around 7:35 a.m. on 13 November 1872. The painting is the most famous of a series of six canvases Monet made of the Le Havre harbour "during dawn, day, dusk, and dark and from varying viewpoints." It was first shown ā€” initially titled simply Marina, then retitled by Monet for the catalogue ā€” at the inaugural exhibition of the SociĆ©tĆ© Anonyme CoopĆ©rative des Artistes Peintres, Sculpteurs, Graveurs at Nadar's studio on Boulevard des Capucines in April 1874, where it inspired the satirical journalist Louis Leroy of Le Charivari to coin the derisive term "Impressionists" ā€” a name the group then adopted. The painting was stolen from the MusĆ©e Marmottan on 27 October 1985 along with eight other works in an armed robbery led by Philippe Jamin, and recovered in Corsica in December 1990)
  • Technique/Medium Oil on canvas
  • Original dimensions 50 x 65 cm (per the MusĆ©e Marmottan Monet's own catalogue entry; widely reproduced as 48 x 63 cm in older references)
  • Collection/Museum MusĆ©e Marmottan Monet, Paris (inv. 4014; donated by EugĆØne and Victorine Donop de Monchy, acquired 23 May 1940; the painting passed from Monet to Ernest HoschedĆ©, then to Dr Georges de Bellio, and through inheritance to Donop de Monchy)

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Customer Reviews

Overall rating: 4.7 / 5 from 1845 reviews.

Customer photo review of Wanderer above the Sea of Fog | Caspar David Friedrich | 1818

There was a bit of a wait for the pictures but it was worth it. The production quality of the print was far higher than purchases I have made from other vendors. It's sturdier, clearer & the price was fair. The piece itself is in my basement. As you come down the steps it hangs on the opposite wall. Despite ordering a smaller print it commands the most attention in the room. I absolutely love this piece.

Kevin G. 5/5 Verified

Wanderer above the Sea of Fog | Caspar David Friedrich | 1818

Customer photo review of Pandemonium | John Martin | 1841

This is the first painting I buy from your site and from any site at all in fact, and except a minor delivery issue - that only implied FedEx - everything went smoothly ! Your team responded quickly concerning this issue and that add up to the quality of service ! The reproduction is beautifully done, the contrast are good and the colors are vibrant. I am really happy with this product and will definitely crave for more !

Tom J. 5/5 Verified

Pandemonium | John Martin | 1841

Customer photo review of Daniel's Answer to the King | Briton RiviĆØre | 1890

I have the other Daniel painting also, the one where he is entering the lion's den. My daughter liked it so much, that I lent it to her, not sure I'd ever get it back so ordered this one. Keep it in the blue bedroom we use for visitors, always sparks a conversion. Just love it !

Tom H. 5/5 Verified

Daniel's Answer to the King | Briton RiviĆØre | 1890

Customer photo review of Pandemonium | John Martin | 1841

Well. This Image is more jpeg like than i would prefer. I never seen the original in the louvre, but I think it could be better. Especially for 300 euros.

Vladimir L. 1/5 Verified

Pandemonium | John Martin | 1841

Customer photo review of Three Black Cats | Carl Kahler | c. 1891

I simply love the portrait of the three black cats! - flawless print, elegant frame and quick shipping with sufficient packaging. I will be coming back for more! Thank you! <3

Jesse C. 5/5 Verified

Three Black Cats | Carl Kahler | c. 1891

Customer photo review of School of Athens | Raphael | 1510

Excellent quality! Very impressed! Hangs next to my desk as I work. Inspiring! Saw the original at the Vatican Museum. I will be buying more.

James H. 5/5 Verified

School of Athens | Raphael | 1510

Customer photo review of Untitled | Mark Rothko | 1952

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Hikaru N. 5/5 Verified

Untitled | Mark Rothko | 1952

Customer photo review of Ecce Homo | Antonio Ciseri | 1871

Beautiful print on canvas. Thinking of buying a bigger one for my house as my daughter would love this for her house.

Giulia K. 5/5 Verified

Ecce Homo | Antonio Ciseri | 1871

Customer photo review of The Ambassadors | Hans Holbein the Younger | 1533

Okay, let me start by saying this is my favorite painting of all time. I love skulls. I am beyond thrilled to own this piece and show it off to all who enter! I cannot believe this was painted in 1533.. It stirs me. 10/10 piece. Easy. I am attaching two photos of the upper left corner where the crucifix lies hidden in plain sight. I am disappointed that the wrap of the canvas wasn't very tight on this one. Because of the loose wrapping.. you can clearly see that the crucifix is mirrored from the printing job and it kind of ruins that corner of the piece because it is a detail you aren't suppose to notice right away. Unfortunately it sticks out in plain view. I plan to take black paint and just tape off the edge and fill the outer edge so the crucifix has a proper corner to inhabit. Although, I am hesitant to try and alter something so expensive.. Not sure what to do.

Sara S. 4/5 Verified

The Ambassadors | Hans Holbein the Younger | 1533

Customer photo review of The Last Day of Pompeii | Karl Bryullov | 1830

Solid as usual. Solid as always. The Last Days of Pompeii is dramatic and moody; just what I wanted. Print quality is sharp, colors are faithful. The artwork is theatrical, and work well on canvas. I'm a history nut and have had a fascination with Pompeii since my teens, so this one had to join my collection. Happy with it.

Marc B. 5/5

The Last Day of Pompeii | Karl Bryullov | 1830

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