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In a Roman Osteria | Carl Bloch | 1866

In a Roman Osteria | Carl Bloch | 1866

€32,95
€32,95
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About the artwork:

"In a Roman Osteria" by Carl Bloch (1866) is a richly detailed scene that offers a glimpse into everyday life in a 19th-century Roman tavern. The painting portrays a lively group of people gathered around a rustic wooden table, engaged in conversation and enjoying wine, creating a sense of warmth and conviviality. Bloch's meticulous attention to detail is evident in the varied expressions and postures of the figures, which reveal subtle dynamics among them, from flirtation to casual companionship. The backdrop of the osteria, with its worn stone walls and traditional décor, grounds the scene in a sense of place and time. Through his use of light and shadow, Bloch captures a naturalistic atmosphere, highlighting both the intimacy of the setting and the vibrant social interaction. The painting reflects the artist's ability to blend genre painting with a narrative depth that invites viewers to imagine the stories behind each character.

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  • Title In a Roman Osteria (I en romersk osteria)
  • Artist Carl Heinrich Bloch (Danish Realist and historical painter; Copenhagen, 23 May 1834 - Copenhagen, 22 February 1890; best known for his cycle of 23 paintings of the life of Christ for the King's Oratory at Frederiksborg Palace)
  • Year of creation 1866 (commissioned from Bloch by the Danish merchant Moritz G. Melchior, Bloch's friend and major supporter — Melchior himself is included as a figure in the background of the painting. The commission was made in connection with a journey to Italy, and Melchior specifically requested a painting similar to Wilhelm Marstrand's earlier Italian Osteria Scene, Girl Welcoming a Person Entering of 1847, now at the Ny Carlsberg Glyptotek. The composition centres on three figures at a table — two women and a man in a hat — who all return the viewer's gaze, as though the viewer has just intruded on their meal. Their reactions differ sharply: the man on the right is skeptical, his eyebrows drawn together, his fork pressed down on the table almost belligerently and a knife protruding from his trouser pocket. As is often the case in Bloch's work, knives and forks are brandished freely; the phallic decanter to the left sits close to an inviting parted-lipped mouth but equally close to a two-pronged fork and knife. Bloch had received a prestigious travel stipend from the Royal Danish Academy of Fine Arts in 1859 at the age of 25, which allowed him to spend extended periods in Italy)
  • Technique/Medium Oil on canvas
  • Original dimensions 148.5 x 177.5 cm
  • Collection/Museum Statens Museum for Kunst (National Gallery of Denmark), Copenhagen (bequeathed to the museum by Moritz G. Melchior in 1884; transferred to the National Gallery in 1935 following the death of Melchior's daughter Louise Melchior)

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Customer Reviews

Overall rating: 4.7 / 5 from 1845 reviews.

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There was a bit of a wait for the pictures but it was worth it. The production quality of the print was far higher than purchases I have made from other vendors. It's sturdier, clearer & the price was fair. The piece itself is in my basement. As you come down the steps it hangs on the opposite wall. Despite ordering a smaller print it commands the most attention in the room. I absolutely love this piece.

Kevin G. 5/5 Verified

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This is the first painting I buy from your site and from any site at all in fact, and except a minor delivery issue - that only implied FedEx - everything went smoothly ! Your team responded quickly concerning this issue and that add up to the quality of service ! The reproduction is beautifully done, the contrast are good and the colors are vibrant. I am really happy with this product and will definitely crave for more !

Tom J. 5/5 Verified

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I have the other Daniel painting also, the one where he is entering the lion's den. My daughter liked it so much, that I lent it to her, not sure I'd ever get it back so ordered this one. Keep it in the blue bedroom we use for visitors, always sparks a conversion. Just love it !

Tom H. 5/5 Verified

Daniel's Answer to the King | Briton Rivière | 1890

Customer photo review of Pandemonium | John Martin | 1841

Well. This Image is more jpeg like than i would prefer. I never seen the original in the louvre, but I think it could be better. Especially for 300 euros.

Vladimir L. 1/5 Verified

Pandemonium | John Martin | 1841

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I simply love the portrait of the three black cats! - flawless print, elegant frame and quick shipping with sufficient packaging. I will be coming back for more! Thank you! <3

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Customer photo review of School of Athens | Raphael | 1510

Excellent quality! Very impressed! Hangs next to my desk as I work. Inspiring! Saw the original at the Vatican Museum. I will be buying more.

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School of Athens | Raphael | 1510

Customer photo review of Untitled | Mark Rothko | 1952

大きくて存在感があるのに軽いので安心して壁にかけられました！気に入っています。

Hikaru N. 5/5 Verified

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Customer photo review of Ecce Homo | Antonio Ciseri | 1871

Beautiful print on canvas. Thinking of buying a bigger one for my house as my daughter would love this for her house.

Giulia K. 5/5 Verified

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Customer photo review of The Ambassadors | Hans Holbein the Younger | 1533

Okay, let me start by saying this is my favorite painting of all time. I love skulls. I am beyond thrilled to own this piece and show it off to all who enter! I cannot believe this was painted in 1533.. It stirs me. 10/10 piece. Easy. I am attaching two photos of the upper left corner where the crucifix lies hidden in plain sight. I am disappointed that the wrap of the canvas wasn't very tight on this one. Because of the loose wrapping.. you can clearly see that the crucifix is mirrored from the printing job and it kind of ruins that corner of the piece because it is a detail you aren't suppose to notice right away. Unfortunately it sticks out in plain view. I plan to take black paint and just tape off the edge and fill the outer edge so the crucifix has a proper corner to inhabit. Although, I am hesitant to try and alter something so expensive.. Not sure what to do.

Sara S. 4/5 Verified

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Solid as usual. Solid as always. The Last Days of Pompeii is dramatic and moody; just what I wanted. Print quality is sharp, colors are faithful. The artwork is theatrical, and work well on canvas. I'm a history nut and have had a fascination with Pompeii since my teens, so this one had to join my collection. Happy with it.

Marc B. 5/5

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