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Isle of Life | Arnold Böcklin | 1888

Isle of Life | Arnold Böcklin | 1888

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About the artwork:

"Isle of Life" by Arnold Böcklin, painted in 1888, is a serene and dreamlike depiction of an idyllic island bathed in soft, glowing light. The island, surrounded by calm waters, features lush vegetation and classical structures, creating an almost mythological ambiance. Böcklin's use of light and color imbues the scene with a sense of tranquility and timelessness, evoking themes of paradise and eternal peace. This painting contrasts with his more famous "Isle of the Dead," offering a vision of life and vitality in a similarly enchanting and otherworldly setting.

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  • Title The Isle of Life (Die Lebensinsel)
  • Artist Arnold Böcklin (Swiss Symbolist painter; Basel, 16 October 1827 - San Domenico, near Fiesole, Kingdom of Italy, 16 January 1901)
  • Year of creation 1888 (also titled in French L'île des vivants and in English The Isle of the Living; Andree catalogue raisonné no. 407. In this composition Böcklin reworks motifs from his earlier large-scale painting Gefilde der Seligen [Fields of the Blessed], which he had completed in 1878 on commission for the Nationalgalerie Berlin and which has been lost since 1945 — Andree no. 320. Die Lebensinsel has often been read in the literature, on the basis of its compositional parallels, as a deliberate counterpart to Die Toteninsel [Isle of the Dead] — of which the first version, also at the Kunstmuseum Basel, Inv. 1055, was painted in 1880 — though scholars such as Rolf Andree have questioned the assumption of a conscious pendant pairing. Painted in the same year as the final, fifth version of the Isle of the Dead, the work shows a small sun-drenched island crowned with a sacred grove of varied trees from temperate and tropical zones, palms and blossoming cherries growing impossibly together; in a meadow at the centre of the island colourfully-dressed figures dance and revel, and in the foreground swans and water-figures move through the calm sea around the shore. The whole functions as the photographic negative of the Toteninsel — colour, life, sound, and movement where the other holds silence, ash, and cypresses — though painted only once, with no replicating versions made by the artist)
  • Technique/Medium Oil on mahogany panel (signed lower right: A B)
  • Original dimensions 93.3 x 140.1 cm
  • Collection/Museum Kunstmuseum Basel (Inv. G 1960.12; acquired 1960 from the Swiss dealer Ernst Mähr-Walser. Provenance: Emil Oelbermann, Cologne until 1897; Laura Oelbermann [Laura von Oelbermann, ennobled 1918] 1898-1929; her estate auction at Lempertz, Cologne, 11 December 1929, lot 18; Eduard Sturzenegger of St Gallen, 1929-1959; offered without sale at Galerie Fischer, Lucerne, 28 November 1959, lot 2298; then Ernst Mähr-Walser of St Gallen, 1959)

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Customer Reviews

Overall rating: 4.8 / 5 from 1767 reviews.

Customer photo review of Untitled | Mark Rothko | 1952

大きくて存在感があるのに軽いので安心して壁にかけられました!気に入っています。

Untitled | Mark Rothko | 1952

Customer photo review of Ecce Homo | Antonio Ciseri | 1871

Beautiful print on canvas. Thinking of buying a bigger one for my house as my daughter would love this for her house.

Ecce Homo | Antonio Ciseri | 1871

Customer photo review of The Ambassadors | Hans Holbein the Younger | 1533

Okay, let me start by saying this is my favorite painting of all time. I love skulls. I am beyond thrilled to own this piece and show it off to all who enter! I cannot believe this was painted in 1533.. It stirs me. 10/10 piece. Easy. I am attaching two photos of the upper left corner where the crucifix lies hidden in plain sight. I am disappointed that the wrap of the canvas wasn't very tight on this one. Because of the loose wrapping.. you can clearly see that the crucifix is mirrored from the printing job and it kind of ruins that corner of the piece because it is a detail you aren't suppose to notice right away. Unfortunately it sticks out in plain view. I plan to take black paint and just tape off the edge and fill the outer edge so the crucifix has a proper corner to inhabit. Although, I am hesitant to try and alter something so expensive.. Not sure what to do.

The Ambassadors | Hans Holbein the Younger | 1533

Customer photo review of The Last Day of Pompeii | Karl Bryullov | 1830

Solid as usual. Solid as always. The Last Days of Pompeii is dramatic and moody; just what I wanted. Print quality is sharp, colors are faithful. The artwork is theatrical, and work well on canvas. I'm a history nut and have had a fascination with Pompeii since my teens, so this one had to join my collection. Happy with it.

The Last Day of Pompeii | Karl Bryullov | 1830

Customer photo review of Among the Waves | Ivan Aivazovsky | 1898

Absolutely beautiful piece of art, printed well and in a very nice frame that was packaged and delivered with no damage or issues with the contents.

Among the Waves | Ivan Aivazovsky | 1898

Customer photo review of The Beheading of St John the Baptist | Caravaggio | 1608

We made our first purchase from Inspiraggio, The Beheading of St John the Baptist | Caravaggio | 1608. We absolutely love it. The quality and framing are amazing. It changes the whole room. Thanks!!!

The Beheading of St John the Baptist | Caravaggio | 1608

Customer photo review of Death on the Pale Horse | Gustave Doré | 1865

I ordered two paintings from Inspiraggio, and both are of incredible quality and remarkably faithful to the originals. The canvas and frame both feel sturdy, and the level of detail is truly impressive. I’m delighted with my purchases and would definitely order from them again in the future

Death on the Pale Horse | Gustave Doré | 1865

Customer photo review of Chaos | Ivan Aivazovsky | 1841

Very pretty. I knew I had to have 'Vanity' when I saw it. 'The Great Red Dragon...' is... great as well. Both quality prints, really like how they look in my apartment.

Chaos | Ivan Aivazovsky | 1841

Customer photo review of Allegory of Satan (Lord of the World) | Ludwik Stasiak | c. 1900

It's a masterpiece! It really fits the horror theme of my office room. It scares my wife but that what I was going for. I will definitely order more photos, not just for me but as gifts as well. I already have "the laughing fool" picture on the way. Thank you guys

Allegory of Satan (Lord of the World) | Ludwik Stasiak | c. 1900

Customer photo review of Cotopaxi | Frederic Edwin Church | 1862

Very poorly packaged—thin cardboard; I don't know how it survived shipping. The stretcher frame is too weak, leaving the canvas sagging and barely taut; at least one extra crossbar needs to be added to get the tension up to an acceptable standard. Check pictures, description diameters for package was overestimated few cm.

Cotopaxi | Frederic Edwin Church | 1862

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