"Isle of Life" by Arnold Böcklin, painted in 1888, is a serene and dreamlike depiction of an idyllic island bathed in soft, glowing light. The island, surrounded by calm waters, features lush vegetation and classical structures, creating an almost mythological ambiance. Böcklin's use of light and color imbues the scene with a sense of tranquility and timelessness, evoking themes of paradise and eternal peace. This painting contrasts with his more famous "Isle of the Dead," offering a vision of life and vitality in a similarly enchanting and otherworldly setting.
ArtistArnold Böcklin (Swiss Symbolist painter; Basel, 16 October 1827 - San Domenico, near Fiesole, Kingdom of Italy, 16 January 1901)
Year of creation1888 (also titled in French L'île des vivants and in English The Isle of the Living; Andree catalogue raisonné no. 407. In this composition Böcklin reworks motifs from his earlier large-scale painting Gefilde der Seligen [Fields of the Blessed], which he had completed in 1878 on commission for the Nationalgalerie Berlin and which has been lost since 1945 — Andree no. 320. Die Lebensinsel has often been read in the literature, on the basis of its compositional parallels, as a deliberate counterpart to Die Toteninsel [Isle of the Dead] — of which the first version, also at the Kunstmuseum Basel, Inv. 1055, was painted in 1880 — though scholars such as Rolf Andree have questioned the assumption of a conscious pendant pairing. Painted in the same year as the final, fifth version of the Isle of the Dead, the work shows a small sun-drenched island crowned with a sacred grove of varied trees from temperate and tropical zones, palms and blossoming cherries growing impossibly together; in a meadow at the centre of the island colourfully-dressed figures dance and revel, and in the foreground swans and water-figures move through the calm sea around the shore. The whole functions as the photographic negative of the Toteninsel — colour, life, sound, and movement where the other holds silence, ash, and cypresses — though painted only once, with no replicating versions made by the artist)
Technique/MediumOil on mahogany panel (signed lower right: A B)
Original dimensions93.3 x 140.1 cm
Collection/MuseumKunstmuseum Basel (Inv. G 1960.12; acquired 1960 from the Swiss dealer Ernst Mähr-Walser. Provenance: Emil Oelbermann, Cologne until 1897; Laura Oelbermann [Laura von Oelbermann, ennobled 1918] 1898-1929; her estate auction at Lempertz, Cologne, 11 December 1929, lot 18; Eduard Sturzenegger of St Gallen, 1929-1959; offered without sale at Galerie Fischer, Lucerne, 28 November 1959, lot 2298; then Ernst Mähr-Walser of St Gallen, 1959)
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Bright & intensive color spectrum. Best choice if you plan to frame it by yourself/local craft shop.
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Black floating frame is a popular add-on to any canvas during the purchase. The frame is build using our proprietary profile radial pine, and coated with black graphite that gives it a gallery quality, luxurious matte finish.
The quality of the print on canvas exceeded my expectations and I was impressed with how quickly I received it. Definitely wouldn’t hesitate to order another print in the future
Good quality and super quick delivery! Highly recommended.
And I’m gladly supporting a skilled youtuber that gives us so many interesting painting histories.
Einfach beeindruckend! Die Qualität dieser Kunstreproduktion ist wirklich außergewöhnlich und hat meine Erwartungen weit übertroffen. Die beeindruckende Detailtreue, die wunderschönen Farben und die hochwertige Ausführung lassen den Kunstdruck wie ein echtes Ausstellungsstück aus einer Kunstgalerie wirken. Ein absolut faszinierendes Ergebnis, das diesem Meisterwerk wirklich gerecht wird!
Auch die Lieferung war sensationell schnell und das Kunstwerk hervorragend und sicher verpackt. Hier stimmt einfach alles! Ich bin rundum begeistert und kann es nur wärmstens weiterempfehlen. Jederzeit sehr gerne wieder!
Ich kann es kaum erwarten, eines Tages auch das Original dieses Masterpieces in einem Pariser Museum mit eigenen Augen zu bewundern. Vielen herzlichen Dank für dieses wunderschöne Kunstwerk!
I am extremely happy with the quality of image/paper is excellent! Thank you for resolving my first time experience. I look forward to my next purchase!
There was a bit of a wait for the pictures but it was worth it. The production quality of the print was far higher than purchases I have made from other vendors. It's sturdier, clearer & the price was fair.
The piece itself is in my basement. As you come down the steps it hangs on the opposite wall. Despite ordering a smaller print it commands the most attention in the room. I absolutely love this piece.
This is the first painting I buy from your site and from any site at all in fact, and except a minor delivery issue - that only implied FedEx - everything went smoothly ! Your team responded quickly concerning this issue and that add up to the quality of service !
The reproduction is beautifully done, the contrast are good and the colors are vibrant.
I am really happy with this product and will definitely crave for more !
Wonderful quality, arrived very quickly (From Estonia to Canada), but most of all I am grateful for your YouTube videos to learn the background of this fascinating painting origin.
I have the other Daniel painting also, the one where he is entering the lion's den. My daughter liked it so much, that I lent it to her, not sure I'd ever get it back so ordered this one. Keep it in the blue bedroom we use for visitors, always sparks a conversion.
Just love it !
Well. This Image is more jpeg like than i would prefer. I never seen the original in the louvre, but I think it could be better. Especially for 300 euros.
I simply love the portrait of the three black cats! - flawless print, elegant frame and quick shipping with sufficient packaging.
I will be coming back for more!
Thank you! <3