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Ivan the Terrible and His Son | Ilya Repin | 1883

Ivan the Terrible and His Son | Ilya Repin | 1883

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About the artwork:

"Ivan the Terrible and His Son" by Ilya Repin, completed in 1885, is a powerful and emotionally charged depiction of a tragic moment in Russian history. In this haunting painting, Repin portrays the harrowing scene of Tsar Ivan the Terrible unintentionally striking and killing his own son, Ivan Ivanovich, in a fit of rage. The figures are engulfed in a dark and somber atmosphere, with Ivan the Terrible holding his mortally wounded son in his arms, his face twisted in horror and despair. The painting captures the profound anguish and regret of the tsar, as well as the pain and shock in his son's expression. Through meticulous attention to detail and a dynamic composition, Repin conveys the devastating consequences of unchecked power and the human cost of tyranny, inviting viewers to reflect on the complexities of history and the tragic outcomes of unchecked rage and violence.

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  • Title Ivan the Terrible and His Son Ivan on 16 November 1581 (Иван Грозный и сын его Иван 16 ноября 1581 года); often referred to simply as Ivan the Terrible and His Son Ivan or Ivan the Terrible Killing His Son
  • Artist Ilya Yefimovich Repin (Ukrainian-born Russian Realist; member of the Peredvizhniki [Itinerants]; Chuguev, Russian Empire [now Ukraine], 5 August [O.S. 24 July] 1844 - Kuokkala, Viipuri Province, Finland [now Russia], 29 September 1930)
  • Year of creation 1883-1885 (the date 1883 marks the start of work; the painting was completed in 1885. In his memoirs Repin recalled three principal sources of inspiration: the 1881 assassination of Tsar Alexander II by members of Narodnaya Volya, the music of Nikolai Rimsky-Korsakov [particularly the symphonic suite Antar], and the bullfights he had witnessed during a trip to Spain in 1883. The composition depicts the moment immediately after Tsar Ivan IV "the Terrible" had struck his eldest son and heir Tsarevich Ivan Ivanovich on the temple with the pointed metal-tipped end of his sceptre during an argument on 16 November 1581 — most likely producing an epidural hematoma — and now cradles the mortally wounded young man on a blood-red carpet in a darkened room of seventeenth-century Russian furnishings. The historical incident was best known to Repin through the account in Nikolay Karamzin's History of the Russian State. Repin used his friend the Peredvizhniki painter Grigoriy Myasoyedov as the model for Ivan and the writer Vsevolod Garshin — who would himself commit suicide in 1888 — for the Tsarevich; Ivan wears an austere black coat while the Tsarevich is in a pink satin dressing gown and teal-green boots. When publicly exhibited in 1885 the painting was banned by Emperor Alexander III in April of that year — the first painting to be censored in Russia — though the ban was lifted in July; Tretyakov, who had already purchased it, was at first unable to display it. The work is now also commonly known as Ivan the Terrible Killing His Son)
  • Technique/Medium Oil on canvas
  • Original dimensions 199.5 x 254 cm (78.5 x 100 inches)
  • Collection/Museum State Tretyakov Gallery, Moscow (purchased directly from the artist by Pavel Tretyakov in 1885 for his gallery; on permanent display, though the painting has twice been attacked by visitors — in 1913 by Abram Balashov, who stabbed it three times with a dagger crying "Blood! Why the blood? Down with blood!" — the canvas was restored by Repin himself — and again on 25 May 2018 by Igor Podporin, who damaged the central panel with a metal pole, requiring a four-year restoration completed in 2022)

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Customer Reviews

Overall rating: 4.8 / 5 from 1783 reviews.

Customer photo review of Three Black Cats | Carl Kahler | c. 1891

I simply love the portrait of the three black cats! - flawless print, elegant frame and quick shipping with sufficient packaging. I will be coming back for more! Thank you! <3

Three Black Cats | Carl Kahler | c. 1891

Customer photo review of School of Athens | Raphael | 1510

Excellent quality! Very impressed! Hangs next to my desk as I work. Inspiring! Saw the original at the Vatican Museum. I will be buying more.

School of Athens | Raphael | 1510

Customer photo review of Untitled | Mark Rothko | 1952

大きくて存在感があるのに軽いので安心して壁にかけられました!気に入っています。

Untitled | Mark Rothko | 1952

Customer photo review of Ecce Homo | Antonio Ciseri | 1871

Beautiful print on canvas. Thinking of buying a bigger one for my house as my daughter would love this for her house.

Ecce Homo | Antonio Ciseri | 1871

Customer photo review of The Ambassadors | Hans Holbein the Younger | 1533

Okay, let me start by saying this is my favorite painting of all time. I love skulls. I am beyond thrilled to own this piece and show it off to all who enter! I cannot believe this was painted in 1533.. It stirs me. 10/10 piece. Easy. I am attaching two photos of the upper left corner where the crucifix lies hidden in plain sight. I am disappointed that the wrap of the canvas wasn't very tight on this one. Because of the loose wrapping.. you can clearly see that the crucifix is mirrored from the printing job and it kind of ruins that corner of the piece because it is a detail you aren't suppose to notice right away. Unfortunately it sticks out in plain view. I plan to take black paint and just tape off the edge and fill the outer edge so the crucifix has a proper corner to inhabit. Although, I am hesitant to try and alter something so expensive.. Not sure what to do.

The Ambassadors | Hans Holbein the Younger | 1533

Customer photo review of The Last Day of Pompeii | Karl Bryullov | 1830

Solid as usual. Solid as always. The Last Days of Pompeii is dramatic and moody; just what I wanted. Print quality is sharp, colors are faithful. The artwork is theatrical, and work well on canvas. I'm a history nut and have had a fascination with Pompeii since my teens, so this one had to join my collection. Happy with it.

The Last Day of Pompeii | Karl Bryullov | 1830

Customer photo review of Among the Waves | Ivan Aivazovsky | 1898

Absolutely beautiful piece of art, printed well and in a very nice frame that was packaged and delivered with no damage or issues with the contents.

Among the Waves | Ivan Aivazovsky | 1898

Customer photo review of The Beheading of St John the Baptist | Caravaggio | 1608

We made our first purchase from Inspiraggio, The Beheading of St John the Baptist | Caravaggio | 1608. We absolutely love it. The quality and framing are amazing. It changes the whole room. Thanks!!!

The Beheading of St John the Baptist | Caravaggio | 1608

Customer photo review of Death on the Pale Horse | Gustave Doré | 1865

I ordered two paintings from Inspiraggio, and both are of incredible quality and remarkably faithful to the originals. The canvas and frame both feel sturdy, and the level of detail is truly impressive. I’m delighted with my purchases and would definitely order from them again in the future

Death on the Pale Horse | Gustave Doré | 1865

Customer photo review of Chaos | Ivan Aivazovsky | 1841

Very pretty. I knew I had to have 'Vanity' when I saw it. 'The Great Red Dragon...' is... great as well. Both quality prints, really like how they look in my apartment.

Chaos | Ivan Aivazovsky | 1841

Customer photo review of Allegory of Satan (Lord of the World) | Ludwik Stasiak | c. 1900

It's a masterpiece! It really fits the horror theme of my office room. It scares my wife but that what I was going for. I will definitely order more photos, not just for me but as gifts as well. I already have "the laughing fool" picture on the way. Thank you guys

Allegory of Satan (Lord of the World) | Ludwik Stasiak | c. 1900

Customer photo review of Cotopaxi | Frederic Edwin Church | 1862

Very poorly packaged—thin cardboard; I don't know how it survived shipping. The stretcher frame is too weak, leaving the canvas sagging and barely taut; at least one extra crossbar needs to be added to get the tension up to an acceptable standard. Check pictures, description diameters for package was overestimated few cm.

Cotopaxi | Frederic Edwin Church | 1862

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