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Procession of Souls | Louis Welden Hawkins | 1890

Procession of Souls | Louis Welden Hawkins | 1890

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About the artwork:

Procession of Souls is a symbolist painting by Louis Welden Hawkins, created around 1890, during a period when European artists were increasingly turning away from realism in favor of psychological and spiritual themes. The work presents a silent, almost ritualistic movement of figures that appear detached from the physical world, suggesting a collective passage between life and death rather than a literal religious scene. Hawkins was closely connected to Symbolism and the Nabis circle, and his interest lay in inner states of being, memory, and the unseen forces shaping human existence. In this painting, individuality dissolves into a shared destiny, reinforcing the Symbolist belief that art should evoke ideas and emotions rather than describe reality. The restrained palette and simplified forms contribute to a meditative atmosphere, aligning the work with late nineteenth century anxieties about mortality, transcendence, and the limits of rational thought, themes that were central to Symbolist art at the fin de siècle.

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  • Title Portrait of Ginevra de' Benci (Ritratto di Ginevra de' Benci)
  • Artist Leonardo da Vinci (Italian High Renaissance polymath — painter, draughtsman, sculptor, architect, scientist, anatomist, engineer, inventor; Vinci, Florentine Republic, 15 April 1452 - Amboise, Kingdom of France, 2 May 1519; pupil of Andrea del Verrocchio in Florence c. 1466-1476)
  • Year of creation c. 1474-1478 (one of Leonardo's earliest known portraits, painted in his mid-twenties in Florence in the workshop of Andrea del Verrocchio just before his independent career began. The sitter is Ginevra de' Benci, born 1457, daughter of the wealthy Florentine banker Amerigo de' Benci — a friend of Marsilio Ficino. The portrait was traditionally identified as commissioned to mark Ginevra's marriage in January 1474, at the age of sixteen, to the considerably older Florentine cloth merchant Luigi Niccolini, but a more widely accepted modern view links it instead to her platonic admirer the Venetian ambassador to Florence Bernardo Bembo, who served diplomatic missions in Florence in 1475-1476 and 1478-1480 and stood at the centre of an elaborate humanist cult of courtly love around Ginevra, celebrated in verse by Lorenzo de' Medici, Cristoforo Landino and Alessandro Braccesi. Bembo's personal impresa — a wreath of laurel and palm — appears on the reverse of the panel, encircling a sprig of juniper that puns on Ginevra's name [ginepro = juniper] and reappears as the bushy juniper tree silhouetted behind her head on the obverse. The motto VIRTVTEM FORMA DECORAT identifies Ginevra's beauty as the outward sign of her virtue. The portrait was revolutionary on several counts: it is the earliest known Italian portrait to set its sitter in a landscape, the earliest to use a three-quarter pose turned to the left rather than the conventional strict profile, and one of the earliest examples in Florentine portraiture of the newly introduced Netherlandish oil technique. Leonardo applied the paint in extraordinarily fine layers, modelling the flesh and the misty Tuscan landscape behind it by smoothing the wet paint with his fingers — infrared examination has revealed his fingerprints embedded in the surface. The picture was first noted in Florence by the so-called Anonimo Gaddiano c. 1540, then disappears from view until it surfaced in the collection of the Princes of Liechtenstein around 1733, where it remained for over two centuries until its sale to Washington)
  • Technique/Medium Oil and tempera on poplar panel (painted on both sides — the reverse bears a roundel showing a wreath of laurel and palm encircling a sprig of juniper, with the Latin motto VIRTVTEM FORMA DECORAT [Beauty Adorns Virtue] inscribed on a scroll across the centre)
  • Original dimensions 38.1 x 37 cm (the panel was cut down at the bottom, probably in the late 16th or 17th century, removing the sitter's hands and forearms; the original full-length composition is known from a silverpoint study of female hands by Leonardo at Windsor that is generally accepted as a preparatory drawing for the lost lower portion)
  • Collection/Museum National Gallery of Art, Washington, D.C. (Ailsa Mellon Bruce Fund, accession 1967.6.1.a; acquired in February 1967 from the Princely Collections of Liechtenstein for approximately $5 million — at the time the highest price ever paid for any painting — making it the only undisputed painting by Leonardo da Vinci in any museum in the Americas)

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Bright & intensive color spectrum. Best choice if you plan to frame it by yourself/local craft shop.

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Customer Reviews

Overall rating: 4.7 / 5 from 1878 reviews.

Customer photo review of Pluto | Franz von Stuck | 1909

I love the cross cultural referencing in this piece, with the subtle color choices it brings life to my space!

Pluto | Franz von Stuck | 1909

Customer photo review of Dante and Virgil | William-Adolphe Bouguereau | 1850

Einfach beeindruckend! Die Qualität dieser Kunstreproduktion ist wirklich außergewöhnlich und hat meine Erwartungen weit übertroffen. Die beeindruckende Detailtreue, die wunderschönen Farben und die hochwertige Ausführung lassen den Kunstdruck wie ein echtes Ausstellungsstück aus einer Kunstgalerie wirken. Ein absolut faszinierendes Ergebnis, das diesem Meisterwerk wirklich gerecht wird! Auch die Lieferung war sensationell schnell und das Kunstwerk hervorragend und sicher verpackt. Hier stimmt einfach alles! Ich bin rundum begeistert und kann es nur wärmstens weiterempfehlen. Jederzeit sehr gerne wieder! Ich kann es kaum erwarten, eines Tages auch das Original dieses Masterpieces in einem Pariser Museum mit eigenen Augen zu bewundern. Vielen herzlichen Dank für dieses wunderschöne Kunstwerk!

Dante and Virgil | William-Adolphe Bouguereau | 1850

Customer photo review of Witches' Flight | Francisco Goya | 1798

I am extremely happy with the quality of image/paper is excellent! Thank you for resolving my first time experience. I look forward to my next purchase!

Witches' Flight | Francisco Goya | 1798

Customer photo review of Wanderer above the Sea of Fog | Caspar David Friedrich | 1818

There was a bit of a wait for the pictures but it was worth it. The production quality of the print was far higher than purchases I have made from other vendors. It's sturdier, clearer & the price was fair. The piece itself is in my basement. As you come down the steps it hangs on the opposite wall. Despite ordering a smaller print it commands the most attention in the room. I absolutely love this piece.

Wanderer above the Sea of Fog | Caspar David Friedrich | 1818

Customer photo review of Pandemonium | John Martin | 1841

This is the first painting I buy from your site and from any site at all in fact, and except a minor delivery issue - that only implied FedEx - everything went smoothly ! Your team responded quickly concerning this issue and that add up to the quality of service ! The reproduction is beautifully done, the contrast are good and the colors are vibrant. I am really happy with this product and will definitely crave for more !

Pandemonium | John Martin | 1841

Customer photo review of Daniel's Answer to the King | Briton Rivière | 1890

I have the other Daniel painting also, the one where he is entering the lion's den. My daughter liked it so much, that I lent it to her, not sure I'd ever get it back so ordered this one. Keep it in the blue bedroom we use for visitors, always sparks a conversion. Just love it !

Daniel's Answer to the King | Briton Rivière | 1890

Customer photo review of Pandemonium | John Martin | 1841

Well. This Image is more jpeg like than i would prefer. I never seen the original in the louvre, but I think it could be better. Especially for 300 euros.

Pandemonium | John Martin | 1841

Customer photo review of Three Black Cats | Carl Kahler | c. 1891

I simply love the portrait of the three black cats! - flawless print, elegant frame and quick shipping with sufficient packaging. I will be coming back for more! Thank you! <3

Three Black Cats | Carl Kahler | c. 1891

Customer photo review of School of Athens | Raphael | 1510

Excellent quality! Very impressed! Hangs next to my desk as I work. Inspiring! Saw the original at the Vatican Museum. I will be buying more.

School of Athens | Raphael | 1510

Customer photo review of Untitled | Mark Rothko | 1952

大きくて存在感があるのに軽いので安心して壁にかけられました!気に入っています。

Untitled | Mark Rothko | 1952

Customer photo review of Ecce Homo | Antonio Ciseri | 1871

Beautiful print on canvas. Thinking of buying a bigger one for my house as my daughter would love this for her house.

Ecce Homo | Antonio Ciseri | 1871

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