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Portrait de Diane, levrette de Bergeret | François-André Vincent | 1774

Portrait de Diane, levrette de Bergeret | François-André Vincent | 1774

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About the artwork:

This portrait by French neoclassical painter François-André Vincent depicts Diane, the small greyhound owned by his friend and patron Bergeret de Grancourt. The work elevates an animal subject with a compositional dignity typically reserved for human sitters, placing the dog against elegant drapery and luxurious textures that reflect both affection and a subtle challenge to conventional portraiture norms of the 18th century. Painted during the artist’s early mature period, the piece engages with the Enlightenment interest in naturalism and domestic life while also showcasing Vincent’s refined handling of paint and character. The painting is held in the Musée des Beaux-Arts et d’Archéologie in Besançon, where it contributes to an understanding of how animal portraiture intersected with social and artistic currents of its time.

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  • Title Portrait de Diane, levrette de Bergeret (Portrait of Diane, Bergeret's Whippet)
  • Artist François-André Vincent (French Neoclassical painter; Paris, 30 December 1746 - Paris, 4 August 1816; pupil of Joseph-Marie Vien; Grand Prix de Rome 1768; pensionnaire of the French Academy in Rome 1771-1775; one of the leading rivals of Jacques-Louis David in the next generation; husband of the pastellist Adélaïde Labille-Guiard)
  • Year of creation 1774 (painted in Rome in February 1774, while Vincent was a resident pensionnaire at the Académie de France in Rome [Villa Medici], where he had been studying since 1771 after winning the Grand Prix de Rome. Pierre-Jacques-Onésyme Bergeret de Grancourt, a wealthy fermier général and one of the great patrons of French art of the late ancien régime, was at this moment in Rome on the famous Italian voyage he undertook in 1773-1774 with Fragonard and Madame Fragonard. Vincent, then a young pensionnaire, was taken into Bergeret's circle and the two became close — Vincent offered this portrait of Diane to Bergeret in gratitude for the patron's interest in his work. The sittings for the matching Portrait of Bergeret himself, also at Besançon, probably began on 12 March 1774. The compositional joke turns convention upside down: Diane, Bergeret's little white whippet / Italian greyhound, is given the affected, ceremonial, mock-aristocratic treatment normally reserved for noble human sitters of the highest rank — installed languidly on a sumptuous blue velvet cushion, her left front paw delicately flexed, her head dédaigneusement turned away so as not to deign to meet the painter's gaze — while the matching Portrait of Bergeret depicts the master himself in a fantastical, mock-historical guise. The result is a far more radical reversal of the conventional pet portrait than anything in Oudry's earlier royal hound paintings, the wit and the affection equally in evidence, and an early demonstration of the sophisticated, ironic intelligence that would mark Vincent's entire career)
  • Technique/Medium Oil on canvas
  • Original dimensions 61 x 73.5 cm
  • Collection/Museum Musée des Beaux-Arts et d'Archéologie de Besançon, France (acquired in 1992, alongside the companion Portrait of Bergeret de Grancourt by the same artist)

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Customer Reviews

Overall rating: 4.8 / 5 from 1784 reviews.

Customer photo review of Three Black Cats | Carl Kahler | c. 1891

I simply love the portrait of the three black cats! - flawless print, elegant frame and quick shipping with sufficient packaging. I will be coming back for more! Thank you! <3

Three Black Cats | Carl Kahler | c. 1891

Customer photo review of School of Athens | Raphael | 1510

Excellent quality! Very impressed! Hangs next to my desk as I work. Inspiring! Saw the original at the Vatican Museum. I will be buying more.

School of Athens | Raphael | 1510

Customer photo review of Untitled | Mark Rothko | 1952

大きくて存在感があるのに軽いので安心して壁にかけられました!気に入っています。

Untitled | Mark Rothko | 1952

Customer photo review of Ecce Homo | Antonio Ciseri | 1871

Beautiful print on canvas. Thinking of buying a bigger one for my house as my daughter would love this for her house.

Ecce Homo | Antonio Ciseri | 1871

Customer photo review of The Ambassadors | Hans Holbein the Younger | 1533

Okay, let me start by saying this is my favorite painting of all time. I love skulls. I am beyond thrilled to own this piece and show it off to all who enter! I cannot believe this was painted in 1533.. It stirs me. 10/10 piece. Easy. I am attaching two photos of the upper left corner where the crucifix lies hidden in plain sight. I am disappointed that the wrap of the canvas wasn't very tight on this one. Because of the loose wrapping.. you can clearly see that the crucifix is mirrored from the printing job and it kind of ruins that corner of the piece because it is a detail you aren't suppose to notice right away. Unfortunately it sticks out in plain view. I plan to take black paint and just tape off the edge and fill the outer edge so the crucifix has a proper corner to inhabit. Although, I am hesitant to try and alter something so expensive.. Not sure what to do.

The Ambassadors | Hans Holbein the Younger | 1533

Customer photo review of The Last Day of Pompeii | Karl Bryullov | 1830

Solid as usual. Solid as always. The Last Days of Pompeii is dramatic and moody; just what I wanted. Print quality is sharp, colors are faithful. The artwork is theatrical, and work well on canvas. I'm a history nut and have had a fascination with Pompeii since my teens, so this one had to join my collection. Happy with it.

The Last Day of Pompeii | Karl Bryullov | 1830

Customer photo review of Among the Waves | Ivan Aivazovsky | 1898

Absolutely beautiful piece of art, printed well and in a very nice frame that was packaged and delivered with no damage or issues with the contents.

Among the Waves | Ivan Aivazovsky | 1898

Customer photo review of The Beheading of St John the Baptist | Caravaggio | 1608

We made our first purchase from Inspiraggio, The Beheading of St John the Baptist | Caravaggio | 1608. We absolutely love it. The quality and framing are amazing. It changes the whole room. Thanks!!!

The Beheading of St John the Baptist | Caravaggio | 1608

Customer photo review of Death on the Pale Horse | Gustave Doré | 1865

I ordered two paintings from Inspiraggio, and both are of incredible quality and remarkably faithful to the originals. The canvas and frame both feel sturdy, and the level of detail is truly impressive. I’m delighted with my purchases and would definitely order from them again in the future

Death on the Pale Horse | Gustave Doré | 1865

Customer photo review of Chaos | Ivan Aivazovsky | 1841

Very pretty. I knew I had to have 'Vanity' when I saw it. 'The Great Red Dragon...' is... great as well. Both quality prints, really like how they look in my apartment.

Chaos | Ivan Aivazovsky | 1841

Customer photo review of Allegory of Satan (Lord of the World) | Ludwik Stasiak | c. 1900

It's a masterpiece! It really fits the horror theme of my office room. It scares my wife but that what I was going for. I will definitely order more photos, not just for me but as gifts as well. I already have "the laughing fool" picture on the way. Thank you guys

Allegory of Satan (Lord of the World) | Ludwik Stasiak | c. 1900

Customer photo review of Cotopaxi | Frederic Edwin Church | 1862

Very poorly packaged—thin cardboard; I don't know how it survived shipping. The stretcher frame is too weak, leaving the canvas sagging and barely taut; at least one extra crossbar needs to be added to get the tension up to an acceptable standard. Check pictures, description diameters for package was overestimated few cm.

Cotopaxi | Frederic Edwin Church | 1862

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