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Lady with an Ermine | Leonardo da Vinci | 1489

Lady with an Ermine | Leonardo da Vinci | 1489

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About the artwork:

"Lady with an Ermine" is a renowned portrait painted by Leonardo da Vinci circa 1489–1490. This masterpiece portrays Cecilia Gallerani, a young noblewoman from Milan, holding an ermine, which was a symbol of purity and erudition during the Renaissance. Leonardo's attention to detail and mastery of light and shadow are evident in this painting, as seen in the delicate rendering of the lady's features and the soft texture of the ermine's fur. The composition exudes elegance and grace, with the lady depicted in three-quarter profile, her gaze directed off to the side. "Lady with an Ermine" is celebrated for its psychological depth and subtle expression, capturing the enigmatic allure of its subject. Through this portrait, Leonardo showcases his unparalleled skill in capturing the essence of his subjects and conveying their inner thoughts and emotions.

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  • Title Lady with an Ermine
  • Artist Leonardo da Vinci
  • Year of creation 1489
  • Technique/Medium Oil on walnut panel
  • Original dimensions 54.8 x 40.3 cm
  • Collection/Museum Czartoryski Museum, Kraków

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Bright & intensive color spectrum. Best choice if you plan to frame it by yourself/local craft shop.

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Canvas Features

Our gallery wrapped canvas framed with a wooden frame and ready to hang out of the box with hanging hardware pre-installed.

*Specially coated with poly-cot canvas for the highest durability and best color vibrancy. Archival grade canvas.

Black Frame

Black floating frame is a popular add-on to any canvas during the purchase. The frame is build using our proprietary profile radial pine, and coated with black graphite that gives it a gallery quality, luxurious matte finish.

Customer Reviews

Overall rating: 4.7 / 5 from 1656 reviews.

Customer photo review of Cotopaxi | Frederic Edwin Church | 1862

Very poorly packaged—thin cardboard; I don't know how it survived shipping. The stretcher frame is too weak, leaving the canvas sagging and barely taut; at least one extra crossbar needs to be added to get the tension up to an acceptable standard. Check pictures, description diameters for package was overestimated few cm.

Cotopaxi | Frederic Edwin Church | 1862

Customer photo review of Salvator Mundi | Leonardo da Vinci | 1490

Beautiful reproduction of Salvator Mundi. The quality of the artwork and framing are excellent, and I am very happy with the finished piece. I also want to commend Inspiraggio's customer service for being exceptionally helpful and accommodating when I experienced a shipping issue. I will happily purchase from them again.

Salvator Mundi | Leonardo da Vinci | 1490

Customer photo review of Abbey in the Oakwood | Caspar David Friedrich | 1809-10

I begin this review by recognising Inspiraggio’s excellent customer service. When one of two prints I ordered around the same time became delayed (the post office having dallied, misplaced it, or simply needed a kick up the whatsie), I contacted their team. They were straight onto it, offering to replace the print if it failed to arrive. They then contacted their courier, who in turn got in touch with Australia Post, and the package was delivered promptly. Throughout the process Inspiraggio’s staff kept me informed, and I could not rate their dedication to the customer any higher. Now to the prints themselves. Caspar David Friedrich’s best-known work is Wanderer above the Sea of Fog, yet here I chose Abbey in the Oakwood for its mood and tones. I am drawn to pieces that are stark, mysterious and dark. Is it a meditation on permanence, or does it simply resonate with those who value solitude? Who can say. Either way, it is a wonder. It also complements another piece I purchased from Inspiraggio after being introduced to the little-known Belgian artist Léon Spilliaert: Faun by Moonlight. Again the tones are dark, and it speaks directly to the somnambulist in me. Mysterious, haunting and evocative, it offers a quiet solace to those of us primed for solitude.

Abbey in the Oakwood | Caspar David Friedrich | 1809-10

Customer photo review of For What Was I Created? | William Holbrook Beard | 1886

William Holbrook Beard’s For What Was I Created resonates with me deeply. What begins as Victorian-style satire and humour opens into far deeper questions about society. I identify with this monkey through my own experiences at work and in the pursuit of politics—where society, the politics of the office, and the state itself reduce us to creatures of entertainment, or clowns to be ridiculed. It is a profound painting.

For What Was I Created? | William Holbrook Beard | 1886

Customer photo review of The Questioner of the Sphinx | Elihu Vedder | 1863

I have Inspiraggio’s YouTube channel to thank for most of the artwork I’ve purchased since I began collecting prints. This time I splurged on Elihu Vedder’s The Questioner of the Sphynx as a 12 × 9 framed canvas. Living in a small studio apartment means space is limited, but careful space management has let me keep expanding the collection by downsizing when necessary. Would I prefer the largest canvas available? Of course. Yet the impact is far from lost at this scale. The painting speaks to me through its existential symbolism. Not far from the questioner’s feet lies the skull of another seeker. Lately I’ve begun to wonder what question is actually being asked—whether it concerns existence itself, or simply the origins of the Sphinx—because the unanswered question is what continues to plague the seeker.

The Questioner of the Sphinx | Elihu Vedder | 1863

Customer photo review of Library | Franz Sedlaceck | 1939

This is so much fun. Seeing how similar Franz Sedlaceck's "Library" is to my own farmhouse library; I simply had to have it hanging over the fireplace. I thoroughly enjoy the different artists and works you expose us to and genuinely appreciate the thoughtful commentary and excellence of each presentation.

Library | Franz Sedlaceck | 1939

Customer photo review of Vanity | Frank Cowper | 1907

Beautiful prints, they don’t lie about the quality. I could not recommend these prints enough.

Vanity | Frank Cowper | 1907

Customer photo review of The Garden of Earthly Delights | Hieronymus Bosch | 1490

Awesome product, excellent service. Arrived quickly in perfect condition. We love this piece and have been lucky enough to see it in real life - and now get to look at it every day. Hurrah! Keep up the great work Inspiraggio!!

The Garden of Earthly Delights | Hieronymus Bosch | 1490

Customer photo review of The Ancient of Days | William Blake | 1794

I’m very happy with my phone case as I revere William Blake and his works especially his poetry . My cover keeps him relevant to my daily life.

The Ancient of Days | William Blake | 1794

Customer photo review of The Last Day of Pompeii | Karl Bryullov | 1830

Here's 'The Last Days of Pompeii' above a work-in-progress videogame console cabinet. I'm a total history nut and I've long been fascinated by what happened in Pompeii, so I had to get this. I love how dark and dramatic it is.

The Last Day of Pompeii | Karl Bryullov | 1830

Customer photo review of Spirit | Georges Roux | 1885

This is my 3rd print from Inspiraggio and I am still impressed with the quality. I am looking forward to buying the next one.

Spirit | Georges Roux | 1885

Customer photo review of The Fallen Angel | Alexandre Cabanel | 1847

The cover is absolutely beautiful and very well made. It’s so lightweight that it almost feels like it isn’t even there! I absolutely love it, and as someone who is obsessed with phone cases (I’m constantly changing them 😂), I’ll definitely be buying more!

The Fallen Angel | Alexandre Cabanel | 1847

Customer photo review of The Astronomer | Johannes Vermeer | c. 1668

The Astronomer (Vermeer) and The Old Guitarist (Picasso) perfectly frame my sister Monica's exquisite paintings in my home office, providing me with tranquility and love for the Arts.

The Astronomer | Johannes Vermeer | c. 1668

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